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's A Companion to Jean Renoir (Wiley-Blackwell Companions to PDF

François Truffaut referred to as him, easily, ‘the best’. Jean Renoir is a towering determine in international cinema and completely justifies this huge survey that incorporates contributions from top foreign movie students and comprehensively analyzes Renoir’s lifestyles and profession from quite a few serious perspectives.
• New and unique study by means of the world’s best English and French language Renoir students explores stylistic, cultural and ideological elements of Renoir’s motion pictures in addition to key biographical periods
• Thematic constitution admits various serious methodologies, from textual research to archival study, cultural stories, gender-based and philosophical approaches
• positive factors particular research of Renoir’s crucial works
• offers a world standpoint in this key auteur’s enduring importance in global movie background

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Additional info for A Companion to Jean Renoir (Wiley-Blackwell Companions to Film Directors)

Sample text

After the murder, Roubaud hides Grandmorin’s pocket watch and wallet under a floorboard, getting the wallet out to retrieve money when gambling debts start to build up, getting both out after Séverine’s murder, using his penknife to lift up the floorboard, unaware that she lies dead on the bed, killed by another knife. Finally seeing her, he stands in the door frame with Grandmorin’s watch dangling in his hand, a physical manifestation of the film’s temporality. The way in which objects keep tying the characters to a corrupt and violent past serves to remind us how regression is embedded in the physical fabric of the film.

Looking at questions of social and sexual representation, as well as competing trade and censorship discourses, she claims these remakes are not simply proof of the inherent quality of their source material (important as this is), but rather the result of specific developments in industrial and aesthetic practices within Hollywood itself. Like all great artists, Renoir had the ability to reinvent himself. Our contributors analyze how he moved from gifted amateur in the silent era to prize-winning professional in the second half of the 1930s, how he rose to the challenge of sound in 1930, mastered “filmed theater” and transcended the studio–location split that marked the period.

At the beginning of the second decade of the twenty-first century, our book, we hope, will speak to a whole new generation about an enduring figure of world cinema whose critical significance still remains, quite simply, timeless. Submitting Renoir to new approaches implies a renewed critical stance vis-à-vis both the work and the man. The availability of many films on DVD, the greater 12 Alastair Phillips and Ginette Vincendeau openness – or deeper scrutiny – of archives, the insights of gender theory, philosophical approaches or cultural studies, enable closer analysis, better contextualization, and the shedding of light on previously murky corners of Renoir’s career and behavior.

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