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Ruben Quintero's A companion to satire : ancient to modern PDF

By Ruben Quintero

This choice of twenty-nine unique essays, surveys satire from its emergence in Western literature to the present.

  • Tracks satire from its first appearances within the prophetic books of the outdated testomony during the Renaissance and the English culture in satire to Michael Moore’s satirical motion picture Fahrenheit 9/11.
  • Highlights the real effect of the Bible within the literary and cultural improvement of Western satire.
  • Focused generally on significant classical and ecu affects on and works of English satire, but in addition explores the advanced and fertile cultural cross-semination in the culture of literary satire.

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Extra info for A companion to satire : ancient to modern

Example text

No theory, pattern, system, or the like has all the answers. In Candide (1759), Doctor Pangloss, Doctor Explain Everything, becomes more and more ridiculous as he insists on his theory despite the catastrophic quality of his experiences and that of all those others in the tale. Rasselas (1759) explodes the myth of perfect happiness on this earth, but acknowledges that the itch to find it will not disappear. The unresolved dialectic of human life is unsatisfied desire always desiring. The satirist in this kind of satire prefers experience to theory.

In the Hebrew Scriptures, Jonah, although a narrative and parable, might satisfy the expectations of the irony of the avoidable. Simply, had Jonah accepted God’s commission, he might have avoided all the troubles that followed from his seeking to refuse it. What happens, however, when the satirist’s attitude challenges the very conventions themselves because they are worthless and must be discarded? ). We do not find a modus vivendi with the conventions – we challenge them head on. Austen, as noted, works out in her fiction how a woman might marry advantageously despite the limitations for women in getting and in being married.

Their style ranges from riddling and oblique to bluntly obscene. The iambographers combine the aggression of Thersites with the status and the coercive abusive strategy of Odysseus. Archilochos’ attacks on a man named Lykambes, and Hipponax’s abuse of Boupalos and Athenis, were famous in antiquity not just for their display of poetic skill, but for their savagery, which allegedly drove the victims to suicide. The extraordinary similarity between these two stories makes them more than a little suspect.

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