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A Divided World: Hollywood Cinema and Emigre Directors in by Nick Smedley PDF

By Nick Smedley

The New Deal brought sweeping social, political, and cultural swap around the usa, which Hollywood embraced enthusiastically. Then, whilst the heady idealism of the Thirties was once changed by means of the paranoia of the postwar years, Hollywood grew to become a simple goal for the anticommunists. A Divided global examines many of the vital courses of the recent Deal and the following reaction of the movie community—especially when it comes to social welfare, women’s rights, and foreign affairs. The ebook additionally presents an research of the most important works of 3 eu directors—Billy Wilder, Ernst Lubitsch, and Fritz Lang—compared and contrasted with the goods of mainstream Hollywood. this can be a new interpretation of an influential interval in American movie background and it truly is bound to generate extra debate and scholarship.

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The New Deal brought sweeping social, political, and cultural switch around the usa, which Hollywood embraced enthusiastically. Then, whilst the heady idealism of the Nineteen Thirties used to be changed by means of the paranoia of the postwar years, Hollywood grew to become a simple goal for the anticommunists. A Divided global examines many of the vital courses of the recent Deal and the following reaction of the movie community—especially with regards to social welfare, women’s rights, and foreign affairs. The booklet additionally presents an research of the key works of 3 eu directors—Billy Wilder, Ernst Lubitsch, and Fritz Lang—compared and contrasted with the goods of mainstream Hollywood. it is a new interpretation of an influential interval in American movie heritage and it really is certain to generate additional debate and scholarship.

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Extra resources for A Divided World: Hollywood Cinema and Emigre Directors in the Era of Roosevelt and Hitler, 1933-1948

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Argue$ that the feminist movement's 52. 53. 54. 55. 56. 57. 58. 59. 60. 61. 62. 63. 64. 65. 66. 67. 68. :ith politics meant that the key issues fo r women - divis io n of sexual roles. and social structures - were neglected. 80 per cent according to Gallup; Scharf, 7o Work and 1o Wed, 141. tvlcEivaine, 7"1Je Great Depression, 180-84. Chafe, '/l~eAmerican Woman . 56-65, 100- I I I; Scharf, To Work and 1o Wed, 139, 143-45. O'Neill, in Everyone Was Brave. argues that the social fe minis ts played into the hands of institutio nalized anti-feminism by supporting womenS family and do mes tic.

158. O'Neill, Everyone \Vas Brave. argue$ that the feminist movement's 52. 53. 54. 55. 56. 57. 58. 59. 60. 61. 62. 63. 64. 65. 66. 67. 68. :ith politics meant that the key issues fo r women - divis io n of sexual roles. and social structures - were neglected. 80 per cent according to Gallup; Scharf, 7o Work and 1o Wed, 141. tvlcEivaine, 7"1Je Great Depression, 180-84. Chafe, '/l~eAmerican Woman . 56-65, 100- I I I; Scharf, To Work and 1o Wed, 139, 143-45. O'Neill, in Everyone Was Brave. argues that the social fe minis ts played into the hands of institutio nalized anti-feminism by supporting womenS family and do mes tic.

76. Senator Arthur Vandenberg, q uoted in Ambrose, Rise to Globalism, 151. ·n,. 43 Chapter 2 The Keeper of the Flame: Hollywood and the Cinema of Liberal Idealism T his chapter sets out my view of Hollywood and its relationship with American politics and culture. I argue that Hollywood formed a close relationship with the political and cultural programme of Roosevelt in the 1930s and was able to asswne a position of cultural leadership. It was foremost in articulating the values and ideals that underpinned the New Deal.

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